Jean antoine Watteau
French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
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Jean antoine Watteau Die italienische Komodie oil painting


Die italienische Komodie
c. 1718 oil on canvas Deutsch: 37 X 48 cm
Painting ID::  69065 		Jean antoine Watteau
Die italienische Komodie
c. 1718 oil on canvas Deutsch: 37 X 48 cm
   
   
     
Jean antoine Watteau Die Schafer oil painting


Die Schafer
Medium Oil on canvas Dimensions 56 x 81 cm
Painting ID::  70955 		Jean antoine Watteau
Die Schafer
Medium Oil on canvas Dimensions 56 x 81 cm
   
   
     
Jean antoine Watteau Les deux cousines oil painting


Les deux cousines
Les deux cousines, c. 1717-1718, Musee du Louvre, Paris cjr
Painting ID::  72602 		Jean antoine Watteau
Les deux cousines
Les deux cousines, c. 1717-1718, Musee du Louvre, Paris cjr
   
   
     
Jean antoine Watteau Happy Age. Golden Age oil painting


Happy Age. Golden Age
oil on panel painting by Jean-Antoine Watteau cyf
Painting ID::  76040 		Jean antoine Watteau
Happy Age. Golden Age
oil on panel painting by Jean-Antoine Watteau cyf
   
   
     
Jean antoine Watteau Der Gleichgutige oil painting


Der Gleichgutige
Oil on canvas Dimensions 26 x 19 cm (10.2 x 7.5 in) cyf
Painting ID::  91039 		Jean antoine Watteau
Der Gleichgutige
Oil on canvas Dimensions 26 x 19 cm (10.2 x 7.5 in) cyf
   
   
     
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     Jean antoine Watteau
     French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume

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